OB-Xd is based on the classic Oberheim’s OB-X. It recreates the OB-X’s sound and behavior, but several things were added to the original design to extend its capabilities.
The OB-Xd was designed to sound just as good and rich as the original. It uses micro random detuning, which gives it a unique analog sound.
The quality is on the same level as some of the synth instruments by Native Instruments.
Features include micro random detuning and unison for a resonant sound. OB-Xd offers advanced components like an adjustable multimode filter and MTS-ESP support for tuning.
Features:
- Classic Synthesizer Recreation
- Micro Random Detuning Feature
- Unison for Fuller Sound
- Blendable Multimode Filter
- Support for MTS-ESP Micro-Tuning
- Bi-Directional MIDI Control
- New Unison Voices Feature
- Enhanced Oscillator Features
- Advanced Filter Capabilities
- Refined Attack Envelope Shape
- Oversampling Selection
- MIDI and Preset Bar Enhancements
- LFO Synchronization
- OS: Windows, Mac, Linux
Plugin Interface:
- Volume – It makes the sound louder or quieter.
- Fine – It helps to make small changes to the pitch of the sound.
- Coarse – It makes bigger changes to the pitch of the sound.
- Spread – This makes the sound wider or more narrow.
- Unison – It lets more voices play together to make the sound thicker.
- Glide – It makes the notes slide from one to the next.
- Oscillator 1 (OSCI) – This makes the basic sound wave for the first sound.
- PW (Pulse Width) – It changes the shape of the sound wave.
- Oscillator 2 (OSC2) – This makes the basic sound wave for the second sound.
- Detune – It makes small changes to the pitch to create a thicker sound.
- Sync – It locks two sound waves together in time.
- XMOD – Cross modulation changes one sound using another.
- Step – This feature adjusts specific steps for changing pitch.
- Noise – It adds random noise sounds to the mix.
- Cutoff – This lowers high-frequency sounds to make them sound softer.
- Resonance – It adds a sharp peak to the sound around the cutoff.
- Env Amt – Controls how much the filter envelope affects the sound.
- Attack – It controls how the sound starts.
- Decay – It controls how the sound drops after the attack.
- Sustain – It keeps the sound at a level while holding a note.
- Release – It controls how long the sound lingers after letting go of a note.
- LFO Rate – It changes how fast the sound is wobbled by the LFO.
- Freq Amt – This adjusts how much the LFO affects the sound’s pitch.
- PW Amt – It controls how much the pulse width modulation affects the sound.
- FLT SLOP – This makes the filter sound less perfect by adding randomness.
- GLD SLOP – It affects the gliding from note to note with randomness.
- ENV SLOP – Adds randomness to the envelope settings.
- V1 PAN to V8 PAN – It moves each voice to the left or right speaker.
DOWNLOADS:
- Windows: 64-bit (50 MB)
- Mac: Audio Unit (60 MB)
- Linux: 64-Bit (48 MB)